I’ve been doing social documentary photography for over a decade—an effort to capture the lives of people who have endured, built, and persisted through difficult circumstances.
For the past three years, I’ve focused mainly on medium format analog photography. This wasn’t just a technical choice—it was a way to get closer to my subjects, to see more slowly, more precisely, and more humanely. Working with film demands patience, and that patience becomes part of the story.

In recent years, my main concern has been documenting the impact of drought and climate change in Iran. For me, this isn’t just a project—it’s a daily reality, especially living in Khuzestan. You can see the traces of this crisis in the land, the water, and the faces of people around you.
Photography, to me, isn’t just about capturing a moment. It’s a way to understand, to connect, and to record the things that are silently disappearing. Through images, I try to open conversations—about people, about place, and about the change that’s unfolding right in front of us.